< home < sculptures < De Essentie

De Essentie


De Essentie (The Essentiality)

In 1997 I got an assignment from the Sugar Union Puttershoek to make a sculpture named 'De Essentie' (The Essentiality). It feels good to have such a good partnership with this firm. 'De Essentie': a perfect co-operation between man and technology, employer and employed, sculptor and bystanders. A connection between the past, the present and the future.


The framework with three little facial nails.


In my studio

 

 

detail: nails

In May 1997 a big article about 'De Essentie' was written in Kristallen (Crystal), the personalmagazine of the Sugar Union. (text below)

Office Puttershoek involved in realising artwork

Quality through co-operation man and technology

Arround June the canteen of the Puttershoek office will possess a work of art. The sculpture is made for and by the people of this office. 'De Essentie' does not only speak of co-operation between man and technology but it is also a great representation of it.

Artist Isidoor W. Wens is looking at his work from a distance. It is almost done. "Three more days to go", he says, "then it has to be ready. I hope they won't take it away immediately because I alway's get attached to my artpieces. When my studio is empty all of a sudden, it feels like my navelstring has been cut.

Symbol
Nobody will wonder about the sculpture. The hand, with thumb en forefinger touching and making the oké-sign, is a well known qualitysymbol. But for the artist it is more then just a hand. "The shape is the startingpoint. That's why the anatomy differs from real life. In comparison to the palm the fingers are too long. Little iron faces replace the nails. To me the fingers are necks. The faces symbolize three generations of women: the past, the present and the future. Printed circuits are placed forming nails on the forefinger and thumb. I think in the long rum the title 'De Essentie' will transform in 'The Hand', but that's no problem to me".

Art and work
René Bruns of the Puttershoek office oversees the making of 'De Essentie'. "Last year December we asked two artists to present their idea for a sculpture about co-operation between man and technology. We chose Isidoors proposal. I suggested to make some pieces in our workshop. Together with Piet Stooker and Rinus van der Meijden of the metalworkshop Isidoor started working on the iron framework, each with a different view on eachothers work. The iron base and iron faces were also made at the workshop".
Isidoor: "We worked three days in a row. I made a lifesize wire netting model after which we started bending and twining the iron. The co-operation was exellent". He laughs thinking about the coffee breaks. "I never keep track of time whenever I am working. I only stop if the art piece asks me to, for example to look at it from a distance. I really had to get used to the regular working hours and coffee breaks.

Masterpiece
In his own studio Isidoor finished the artwork by sculpting and covering the iron framework with a thick layer of cardboard soaked in joiner's glue. "The start and finish are always the hardest parts. In between are the craftsmanship combined with technology. But it will be a masterpiece." That is also René's meaning. "It's a powerfull artwork. I think it's important our people made a big contribution.Therefore to us it's no anonymous object."

by Anne van Brussel